วันศุกร์ที่ 3 มิถุนายน พ.ศ. 2554

Clint Eastwood



Clint Eastwood has directed four films in less than three years. Gran Torino, which he both directed and stars is a sign that he might want to slow down. A random mix of songs from Boyz n the Hood, as good as it gets, Grumpy Old Men, and Crash, as well as robust TORINO charisma of Eastwood is on hold, and this alone is not enough to run the movie.


Clint Eastwood plays a veteran of the Korean War driving style is not difficult to see how changes in his neighborhood of Detroit Gran Torino.
Eastwood plays Walt Kowalski, an embittered, self-employed older widows who fought in the Korean War and just tolerated the Hmong families in his neighborhood of Detroit working-class families. "Barbarians! Walt growled, when he named his new neighbors (and decompress the voice Eastwood's fun to new levels of gravel in this role) watches.

Walt is not only racist, but: There is an equal opportunity hater with such contempt for his son's well-intentioned (Brian Haley), his great-grandson (Dreama Walker) and even the village priest (Christopher Carley), Walt dismisses as " a virgin of 27 years which is in the hands of old ladies who are superstitious, and promise to keep them forever. "In addition to Walt, Archie Bunker seems to be a cheerleader for the President-elect Barack Obama.

But first, a caustic comedy TORINO, Walt reluctantly goes wrong gear is molesting a mentor is unlikely Thao (Bee Vang), a sensitive boy from the local Hmong gang. Nick Schenk accessories a clumsy script after another, Stand Up for Walt to look as it passes through a dictionary of epithets that would have been ridiculous racial and ethnic diversity. The film ultimately calls for tolerance and understanding, but not particularly convincing.

TURIN The title is a new model-off-the-line in 1972 that Walt was raised in his garage. For him, it is not only a beautiful machine, but a symbol of simpler, happier times it seems, the good old days before political correctness took up his position became obsolete. Walt is a potentially fascinating character and, sometimes, He has the chance to look behind the rights eroded, Shell offers expertise, particularly in his scenes with subtle Thao's sister, Sue (Her Ahney).

Too often, however TORINO decide the execution of opera-the-mill, which is both written and performed by a very clumsy amateur support team. There is a great story in the relationship between Sue and Walt, Eastwood and Schenk lose sight of the road. The last half hour of Turin is reminiscent of a third class presents Charles Bronson movie instead of a first class Eastwood.




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