วันเสาร์ที่ 4 มิถุนายน พ.ศ. 2554

The work of Clint Eastwood




The work of Clint Eastwood

Films as Actor:

1955
Francis in the Navy (Lubin) (as Jonesy); Revenge of the Creature (Arnold) (as technician); Lady Godiva (Lubin) (as Saxon); Tarantula (Arnold) (as Air Force pilot)

1956
Never Say Goodbye (Jerry Hopper) (as lab assistant); The First Traveling Saleslady (Lubin) (as Jack Rice); Star in the Dust (Haas) (bit role)

1957
Escapade in Japan (Lubin) (as Dumbo); Ambush at Cimarron Pass (Copeland) (as Keith Williams); Lafayette Escadrille ( Hell Bent for Glory ) (Wellman) (as George Moseley)

1964
A Fistful of Dollars ( Per un pugno di dollari ) (Leone) (as The Stranger)

1965
For a Few Dollars More ( Per qualche dollari in piu ) (Leone) (as The Stranger); "Civic Sense" ep. of Le streghe ( The Witches ) (Visconti, Pasolini, Bolognini, Rossi, and de Sica) (as husband)

1966
Il buono, il brutto, il cattivo ( The Good, the Bad, and the Ugly ) (Leone) (as Joe)

1967
Hang 'em High (Post) (as Jed Cooper)

1968
Coogan's Bluff (Siegel) (as Walt Coogan)

1969
Paint Your Wagon (Logan) (as Pardner)

1970
Kelly's Heroes (Hutton) (as Kelly); Two Mules for Sister Sara (Siegel) (as Hogan)

1971
The Beguiled (Siegel) (as John McBurney); Dirty Harry (Siegel) (as Harry Callahan)

1972
Joe Kidd (John Sturges) (title role)

1973
Magnum Force (Post) (as Harry Callahan)

1974
Thunderbolt and Lightfoot (Cimino) (as John "Thunderbolt" Doherty)

1976
The Enforcer (Fargo) (as Harry Callahan)

1977
Every Which Way but Loose (Fargo) (as Philo Beddoe)

1978
Escape from Alcatraz (Siegel) (as Frank Morris)

1980
Any Which Way You Can (Van Horn) (as Philo Beddoe)

1984
Tightrope (Tuggle) (as Wes Block, + co-pr); City Heat (Benjamin)

1988
The Dead Pool (Van Horn) (as Harry Callahan)

1989
Pink Cadillac (Van Horn) (as Tommy Mowak)

1993
In the Line of Fire (Petersen) (as Frank Horrigan)

1994
Don't Pave Main Street: Carmel's Heritage (Cartwright and Ludwig—doc) (as narrator)

1995
Casper (Silberling) (uncredited cameo)

1996
Wild Bill: Hollywood Maverick (Robinson) (as himself)

1998
A Soldier's Daughter Never Cries (uncredited; as John "Thunderbolt" Daugherty)



Films as Director:

1971
Play Misty for Me (+ ro as Dave Garland)

1973
High Plains Drifter (+ ro as the stranger); Breezy

1975
The Eiger Sanction (+ ro as Jonathan Hemlock)

1976
The Outlaw Josey Wales (+ title role)

1977
The Gauntlet (+ ro as Ben Shockley)

1980
Bronco Billy (+ ro as Bronco Billy McCoy)

1982
Honkytonk Man (+ pr, ro as Red); Firefox (+ pr, ro as Mitchell Gant)

1983
Sudden Impact (+ pr, ro as Harry Callahan)

1985
Pale Rider (+ pr, ro as Preacher)

1986
Heartbreak Ridge (+ pr, ro as Tom Highway)

1988
Bird (+ pr)

1990
White Hunter, Black Heart (+ pr, ro as John Wilson); The Rookie (+ ro as Nick Pulovski)

1992
Unforgiven (+ pr, ro as William Munny)

1993
A Perfect World (+ pr, ro as Red Garnett)

1995
The Bridges of Madison County (+ pr, ro as Robert Kincaid)

1997
Absolute Power (pr, + ro as Luther Whitney); Midnight in the Garden of Good and Evil (+ pr)

1999
True Crime (+ro as Steve Everett)

2000
Space Cowboys (+ ro as Dr. Frank Corvin)



Other Films:

1989
Thelonious Monk: Straight No Chaser (Zwerin—doc) (exec pr)

1995
The Stars Fell on Henrietta (Keach) (pr)

Unforgiven Reviews



Retired gunslinger William Munny (Clint Eastwood) reluctantly takes one last job -- and even more reluctantly accepts a boastful youth (Jaimz Woolvett) as a partner. Together, they learn how easily complicated truths are distorted into simplistic myths about the Old West. Gene Hackman (who won an Oscar) and Richard Harris stand out as old foes who have an unhappy reunion. The film also earned Oscars for Best Picture and Best Director (Eastwood).

Unforgiven Trailer

Movie Review: Clint Eastwood’s Hereafter



Movie Review: Clint Eastwood's Oscar was the month of February to Beyond My ménage. This film has been: an appointed Because each night for 28 nights. Rather than being posted daily, reviews of each film will be stable filter in the coming weeks. And because I have much more than that I'd like to write about cinema, and so I can have enough time to process the content of each film and reflections on ICT and the global list after viewing the message. I know, I know! E 'in May and still have not got all theses published reviews. I'm doing my best. February 26 was chosen for the display of "From now on," This movie was horrible Ponders The existence of an afterlife.

วันศุกร์ที่ 3 มิถุนายน พ.ศ. 2554

Clint Eastwood



Clint Eastwood has directed four films in less than three years. Gran Torino, which he both directed and stars is a sign that he might want to slow down. A random mix of songs from Boyz n the Hood, as good as it gets, Grumpy Old Men, and Crash, as well as robust TORINO charisma of Eastwood is on hold, and this alone is not enough to run the movie.


Clint Eastwood plays a veteran of the Korean War driving style is not difficult to see how changes in his neighborhood of Detroit Gran Torino.
Eastwood plays Walt Kowalski, an embittered, self-employed older widows who fought in the Korean War and just tolerated the Hmong families in his neighborhood of Detroit working-class families. "Barbarians! Walt growled, when he named his new neighbors (and decompress the voice Eastwood's fun to new levels of gravel in this role) watches.

Walt is not only racist, but: There is an equal opportunity hater with such contempt for his son's well-intentioned (Brian Haley), his great-grandson (Dreama Walker) and even the village priest (Christopher Carley), Walt dismisses as " a virgin of 27 years which is in the hands of old ladies who are superstitious, and promise to keep them forever. "In addition to Walt, Archie Bunker seems to be a cheerleader for the President-elect Barack Obama.

But first, a caustic comedy TORINO, Walt reluctantly goes wrong gear is molesting a mentor is unlikely Thao (Bee Vang), a sensitive boy from the local Hmong gang. Nick Schenk accessories a clumsy script after another, Stand Up for Walt to look as it passes through a dictionary of epithets that would have been ridiculous racial and ethnic diversity. The film ultimately calls for tolerance and understanding, but not particularly convincing.

TURIN The title is a new model-off-the-line in 1972 that Walt was raised in his garage. For him, it is not only a beautiful machine, but a symbol of simpler, happier times it seems, the good old days before political correctness took up his position became obsolete. Walt is a potentially fascinating character and, sometimes, He has the chance to look behind the rights eroded, Shell offers expertise, particularly in his scenes with subtle Thao's sister, Sue (Her Ahney).

Too often, however TORINO decide the execution of opera-the-mill, which is both written and performed by a very clumsy amateur support team. There is a great story in the relationship between Sue and Walt, Eastwood and Schenk lose sight of the road. The last half hour of Turin is reminiscent of a third class presents Charles Bronson movie instead of a first class Eastwood.




Pale Rider trailer


Gran Torino Trailer


The Outlaw Josey Wales Theatrical Trailer
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